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TEX 75° (Panini)


album: Tex 75° (Panini)

stickers: 276 (1-276) + 54 cards (C1-C50 + 4 limited)

starter pack: album + 10 packets + 2 cards limited 14,99€

box: 36 packets (4 stickers + 1 card per packet) 1,00€ each

blister: 5 pack + 1 card limited random 4,90€

hard cover edition limited 1000 copies 49,90€ (SOLD OUT)

The return of Tex to Panini is good news, after the record album of 8 years ago, collections linked to proposals from other publishers were subsequently released on newsstands and the quality was not even remotely the same. Of course, with this new collection the expectations were quite high, not only that, the sensational album of Disney comics, reviewed a few days ago, made everything even more special and unique.

Which is better Tex’s album or Mickey Mouse’s? For collectors, the difficult decision remains, the basic concept remains that it is a pleasure and a joy to have two of the best albums of recent years on newsstands at the same time. There is no possible competition, even within Panini itself, what we have before our eyes is from another planet.

First of all, the confirmation of a format equal to the previous one, avoiding the disasters of recent years. The paperback with internal pockets for cards is a must and indeed it would be nice to see it more often, at least in collections where it is known that a significant part of the buyers are attentive and demanding collectors. The cards with the box are unwatchable… but we have said this so many times that not even Fausto Leali with the song “A chi” has been re-proposed to the same extent.

Let’s get off topic, the Calciatori Anteprima album is constantly evolving, why not think about making it this way next year? Paperback album with internal pockets to store 54 cards (yes, we have also considered the limited ones) which could also be an extra from the Adrenalyn collection. Maybe a crazy idea, probably impractical because it would probably be crushed by the two main collections. But… who knows… the fact remains that football, or rather sport in general, necessarily cannot give so much space to the imagination and ideas of Panini graphic designers as can happen with albums on comics, cartoons or other themes. They certainly have more fun thinking about them and making them, what do you think?

Since we’re on the topic of cards, let’s start from this point. It’s nice to note that while reviewing the not unforgettable Spider-Verse album we had launched the idea of ​​making cards where put together they created a large drawing with 9 puzzles. It happened with Tex! The back of the cards is a particular homage to the covers designed by Claudio Villa; to present them all, as well as those of Galeppini, an entire album would be needed. Except in the lot from C46 to C50 which find space together with the four limited edition cards.

Curious detail, in our opinion the cards are set in reverse, they should be C1,C2,C3 from left to right instead to have the “poster” they are from right to left. The counter test is the last block, inserting it like the previous ones we find ourselves with a limited before the C49 and C50. Collector’s delusions? Our math problems and are they right? Maybe, but if that were the case then in all these years it means that we have put cards or stickers in the pockets in the wrong way 🙂

Moving on to the album, we can notice a graphic continuation, for the most part, of the previous album, which is not a bad thing, given that it was very successful. However, the cover can be misleading, it focuses entirely on Tex, after all everything starts from the ranger with the yellow shirt and black scarf. There is therefore no division into chapters of the best-known characters, not even the three pards, but rather references to what happens in 75 years of comics, from the cowboy’s point of view.

It is a precise choice which, as written, continues what we saw 8 years ago, in some pages there is almost a repetition but in reality we seem to be able to affirm that Panini was very careful not to make duplications. Still in our opinion, the album can be divided into chapters, more or less well defined, which in the end manage to create an overall result of Aquila della Notte lasting seven decades.

The first part of the album is quite apt and very nice, especially when it gives an overview of Tex’s numbers, a source of debate even among enthusiasts. Given that the ranger is practically immortal, have you ever asked yourself “how many times has Tex been injured?!?”, now you can find an answer. In a comic book world where Superman was killed, Spider-Man cloned, Batman’s back was broken, it’s incredible that our ranger escaped 383 ambushes which, in the meantime, with the latest stories on newsstands, may be even more close to 400!

The lack of pages dedicated to the main protagonists of the comic saga, Mephisto aside, is not exactly an error. In 2015, right from the first pages Tex Willer, Kit Carson, Tiger Jack, Kit Willer were placed more or less on the same level, here one gets the impression that even the pards are, however important, only supporting actors.

It is therefore interesting to focus on other subjects, putting even long-time readers to the test. Everyone remembers Lilith, Tex’s wife killed by smallpox, it is already more complicated to remember other female characters, whether positive or negative. The much space dedicated to the Dynamite horse is commendable and will move the hearts of older collectors, perhaps thanks to the recent Tex Willer series which features a young ranger and his beloved quadruped.

We had appreciated them in Zagor’s album, the splash pages with large drawings to be completed with the shaped stickers are also a welcome return. I also applaud the choice, the quality of these painted pages really has all the flavor of the wild west. In our opinion, the pages with a similar layout that we find in the Disney album remain unattainable, but clearly the context is completely different. The first of these special pages presents a large part of Tex’s world in a fresco, it’s fun to recognize all the characters.

Shaped stickers that are also featured in the comic story included in the album, curiously positioned in the center and not in the last pages. This is perhaps the weak link in the entire collection, “Train Attack” is a story far from being new; although it is not part of the classic series that comes out on newsstands every month, it has already been re-released several times. Here the comparison with the Disney album is without history, ducks and mice win hands down. However, it should be considered that a short western story is perhaps less effective to create and Tex’s stories often have “rigid” canons to follow.

The next part of the album is a jewel, the west really existed and had incredible protagonists who have become both stories and icons of the North American continent. From the beginning, Tex has crossed paths with real-life characters. This applies both to Indians like Geronimo or Crazy Horse, and to colonizers like Lincoln or the General Custer, or even the heroes and anti-heroes of the old west like Buffalo Bill and Butch Cassidy. Over the years, reading Tex’s stories like those of Zagor (set about 40 years earlier), Bonelli pointed out when she was referring to events that actually happened. A notion that we have always greatly appreciated.

Speaking of history, particular emotion for the pages that tell the editorial story of the ranger, from that distant September of 1948 onwards, both telling of being Tex in all these years and also the evolution of the character who has never betrayed himself himself but who also knew how to compare himself with masters of the ninth art in unique volumes, thanks in particular to the Tex Speciale series, better known by enthusiasts as “Texone” and subsequently in other series. Magnus, Kubert, Serpieri, if the list of cartoonists who have encountered Tex in their lives is long, so is that of those who for various reasons, even for different times not ready for experimentation, have not been able to give us a dream. Hugo Pratt or Will Eisner, for example, but the list would be endless.

Last pages that reproduce in stickers some of Tex’s most beloved stories, starting from the legendary duel with El Muerto which made the hearts of generations of readers beat and which had a lot of flavor of that cinematographic genre called “Italian western” which has gave the world films that have entered the collective imagination, directed by Sergio Leone, Corbucci and many others.

Naturally everyone will have their favorite stories, we believe the choice, rather than the most significant ones, was to cover as much as possible the classic settings of the Tex comics. In this way we also find historical characters such as the occult science scholar El Morisco, city adventures especially in Chicago and San Francisco, a historical enemy always “of the city” such as the Black Tiger, such as adventures in the Great North. The famous story about Carson’s past could not be missing, masterfully written by Boselli, curator of the series for many years. If desired, there would also have been a classic story of Tex and the Indians, often victims of abuse and injustice; we would therefore have gone back 50 years or more but “Navajo Blood” with the drawings of the legendary Galep remains one of the highest points of the entire saga.

A masterful, well-made album does not always mean that the meeting between two giants of Italian publishing can always lead to satisfactory results. Could something have been done differently? Probably yes, but we appreciate this sense of continuity with the past. Those who don’t have the first album can enjoy a well above average collection, those who also have the first won’t have the feeling of something they’ve already seen. Now it is legitimate to ask Panini and Bonelli not to wait another 8 years for a new album; maybe Mister No thinking of the classic, Dylan Dog thinking of the most recent (a comic that is already over 30 years old anyway) or who knows a second Zagor.

There remains the regret, despite the passing of the years, that Panini did not want to distribute in Italy the splendid album created for the 60th anniversary of Asterix, which you can find in the French hardback edition. Afraid of a flop? Honestly, it would certainly have been more successful than albums like Cocomelon or Dinsieme’s latest.

Thank you comics, thank you stickers, thank you for existing and helping us fill our days with moments of leisure and pleasure, as well as letting ourselves be carried away by the wave of memories, because Tex is also history and pure tradition of our beautiful country.




album: The thousand faces of Diabolik (Panini)

stickers: 276 (1-276) + 50 cards (C1-C50)

starter pack: album + 3 packets 4,90€

box: 36 packets (4 stickers + 1 card per packet) 1,00€ each

“Houston we have a problem”. A few weeks ago we reviewed with some enthusiasm the celebratory album of Spider-Man’s 60 years, pointing to it as a potential album of the year in our 2022 chart, leaving us only with the doubt that, who knows, there was still time, even at home. Panini, to overcome an already excellent collection. Attention, maybe they have really succeeded.

Diabolik is an iconic character in comics, not only Italian, he has a following of loyal fans and hundreds of thousands of people, both men and women, well to remember, who have read it and maybe, even after years, if it happens to do it again, they don’t back down. Finally, there are collectors, Diabolik has many, thanks also to its fan club which is one of the longest-running and active in Italy.

This album is for all of them, better, for all of us. It is an album that exudes myth and passion, curiosity and history of comics, a work certainly done in 4 hands, where the publisher Astorina sat at the table with the Panini staff, who know just a little about stickers and have thought “let’s create something to be proud of” and which, also or above all, is a tribute not only to comics but to its loyal audience.

The result is excellent, the previous album had already proved to be a good product, this far exceeds it, while maintaining a very similar editorial line. Same number of stickers, same size, special always silver and shiny, the shaped ones.

The encyclopedic setting of the album can be seen from the first pages, where we find references to the birth of the character, to the great actors of the time from which it was inspired, as always happens, at least until a few years ago, with the characters of Italian comics. Did you know that the beautiful Eva Kant is inspired by the Princess of Monaco Grace Kelly?

They are interesting drawings, where there is also an unripe trait, a novice Diabolik even for the cartoonists who will follow him over the years. After all, it is common practice for all comics characters, try to go and see the first stories of superheroes, Tex, Asterix or even Peanuts.

The pages dedicated to the individual protagonists are interesting, it is incredible how a comic can last without actually going out of the mold created since the 1960s, certainly renewing itself, but not denying itself. So here is the double couple, Diabolik and Eva Kant, Ginko and Altea. For each of them a rundown through the interpretations of the various designers. To this could only be added, of course, the legendary Jaguar, which also houses its alter ego, the inspector’s Citroen DS.

In general, the choice of the same stickers is appreciable, certainly not an easy job, much less immediate. We find images that for many will also seem unpublished, it is not a convenient choice, it is an opportune desire to tell the character, from his beginnings, up to the time of King’s Island, when Diabolik was not yet .. Diabolik.

In the album we find two comic stories, to be completed with the shaped stickers, an extra effort to attach them correctly, well. The first of these stories is unpublished, written by Mario Gomboli, the man who, after the Giussani sisters, we can define as the heart of the Astorina. Comic in 10 pages rather nice and spot on, where fans can discover cameos of known, real, not fictional faces. We anticipate one, Alfredo Castelli, creator (among others) of Martin Mystere, a comic also named in the story. So that three comic book publishers are involved in these pages, Astorina, Bonelli and of course Panini.

The comic story is a pleasant interlude of the album, which subsequently restarts with other aspects of Diabolik’s story, starting with the covers, difficult to choose a few among over 500. The “pencils and inks” page is certainly designed for lovers of the Ninth Art as a whole, less for occasional and unwary readers. Without going into too much detail, with a few words and some figurine drawings, here is how the drawings of the “king of terror” are born.

The album’s first trip abroad is to France, where in 1997 a cartoon was created designed for a young audience, not tied to the classic canons of comics.

Diabolik and cinema is not a recent novelty, there is the late 1960s film by director Mario Bava. Collectors have always looked for comic books at comic book fairs, as well as posters for this film. To which the current production of the Manetti Bros also owes a lot, despite the captivating scenery of a Bologna transformed into Clerville. The space equally divided between the two film productions is another symptom of how much we wanted to make an album as a whole.

An eye to collectors but also to the curious is the next part that navigates the variegated world of Diabolik, among those who over the years have wanted to pay homage through art, satire, alternative comics and objects, starting from works created by the same authors and up to the present day, including statues, board games, tarot cards and decks of cards.

If you enjoyed the trip to France in the previous pages, Diabolik was printed in different parts of the world, some of them are mentioned: Israel, Greece, Argentina, Mexico, Denmark, Turkey and the very rare editions in Tamil and Chinese.

Before the aforementioned pages, there is the second comic in the album, always to be completed with the shaped stickers. History entirely in black and white thanks to the texts by Tito Faraci and the drawings by Claudio Villa, many will also remember him for the splendid Tex covers.

New is the coupon found inside each packet, which allows you to participate in a competition to win one of the 60 sketch cards designed by the current Diabolik artists, alternating in the pocket and in the special volumes you find on the newsstands. Commendable initiative, on the site it is not necessary to register, just enter the code (including dashes) and only in case of victory will the details for the shipment be requested.

Speaking of cards, in the 2017 edition you could find unique sketch cards in lucky sachets, now those drawings are within everyone’s reach, becoming the 50 cards to collect to complete the album. It may seem like a comfortable choice, in reality it is extremely valuable. Instead of inventing cards on the spot, why not use a wealth of unpublished drawings that Panini was already “at home”? If we then consider that the cards of the 2017 collection were not particularly successful, these little jewels are welcome.

Everything splendid? For the most part yes, we like it when Panini, like other publishers, puts heart, soul and experience to create a memorable product. The real sticker albums are actually these, more than the sports classics, which we also collect, but they are very little compared to editorial works like this. Too bad for some unsuitable choices for a collection that promises to be very successful. The box with just 36 packets (with the joke that the box is made to contain fifty), understandable for low-profile collections, but inconsistent in this case. Above all, hoping that the stickers can be found even in a month, unlike those of Spider-Man sold out and, to date, never reprinted. At the same time that Panini invaded the newsstands with products that will obviously remain unsold.

The return to the hardcover edition for collectors is excellent, at a price (unchanged compared to Diabolik 2017) in line with the edition of 1000 copies. A gesture that we personally appreciate, the market has established that the “low cost” hardcover edition does not have encouraging sales figures to continue, but at least the “hard and pure” can be satisfied. We rarely give information on the exclusive products of the Panini site, believing that newsstands and / or comic shops must be the main point of reference for the public, but in this case we consider the choice understandable and acceptable.

We then, we admit, are among those who stick the stickers on the stapled album to keep the limited edition sealed. Improved quality of the album paper as we had already seen with the latest Panini productions, perhaps and finally the warehouses have emptied of the batch of unacceptable paper.




album: The Amazing Spider-Man 60th (Panini)

stickers: 192 (1-164, F1-F28) + 60 cards (C1-C60)

starter pack: album + 5 packets 4,90€

box: 24 packets (4 stickers + 1 card per packet) 1,00€ each

“From great power comes great responsibility”. In this case, the great power is being able to make an official Spidey sticker album for his 60th birthday (brought very well!), The great responsibility is to do it well, credible, complete, to satisfy both the occasional audience and the fans, young and old. old, from Marvel Comics. In the knowledge that making everyone happy is impossible.

Did they succeed? No spoilers, to know you have to read all the reviews 🙂 A premise is important, however, whoever writes this review is a long-time comic book enthusiast, impossible to tackle this article without being biased, the heart is not commanded and the glorious Spider-Man is a milestone in world comics, especially if you were children when the legendary books of Editoriale Corno and / or later those of Star Comics then Panini Comics arrived in Italy.

Curious about Panini’s marketing choice, this album recalls Spider-Man’s 60th anniversary, you can read it on the cover but not in the title. Perhaps to bring the younger audience closer to these celebrations. History is still present, indeed, from that “The Amazing Spider-Man”, the famous magazine where our hero was not born (first appearance is on Amazing Fantasy, a similar name, it cannot be a coincidence) but then it is become a legend.

Panini does not only make stickers but also comics, it is the Italian house of Marvel, this certainly allows him to have all the possible and imaginal material to pay the right homage to the character. The album is divided into decades where, as it should be, the first years, those who entered the myth, the so-called “golden age” of Marvel comics, find more space and even some more insight, with important captions to understand the evolution of the character but without undermining the role of the stickers, absolute protagonists.

Another strategic choice by Panini, the various decades of Spidey’s publishing history are interspersed with the “Focus on” pages which, as the term says, focus on a certain aspect of the comic, from great enemies, to great battles, to great alliances with other notes more curious, like the evolution of the costume, even in its most unlikely moments.

First part with the classic (and beautiful) stories of the 60s, 70s and early 80s. With the outside world rapidly changing (Spidey and Marvel comics in general have never been immune to it), in the second half of the 1980s, even comic stories decide to upset the characters. If you have never read “Secret Wars” it is a clear invitation to do so, from there comes the black costume and to follow one of the most beloved anti-heroes of the new millennium, Venom!

This path will be even more exponential in the 90s with the long saga of the clone, even today, 30 years later, there are very conflicting opinions among fans, between those who loved it, those who hated it and those who maybe he rediscovered in adulthood. All these “highlights” are not forgotten by the album, thanks to stickers taken directly from the comic strips.
The Spider-Man saga continues and our little stickers friends do it accordingly.

Another touch of class, grant us the term, is to somehow separate the story of the traditional Spider-Man from that of the multiverses created over the years, even if far from all the variants we have known with the DC Comics Universe. They could not be missing in this album because it would have made it incomplete, but they are apart, in the central pages with a separate numbering.

Openable central poster summarizing the many Spider-Man we have known in the classic universe and in the alternative worlds. Shaped stickers that must be attached with care, to make them match perfectly with the image below. Not easy, but after all we are talking about super heroes, won’t you hold back for so little ?!

If you love comics, you also know how to appreciate the details, almost always nothing is left to chance. The central poster is also the appropriate detachment of the album, between the Marvel of the twentieth century and that of the New Millennium. New characters, new origins to try to approach potential new readers, for a comic that was still reaching 40 years of publishing production. In the second part of the album space for the last 20 years, from our point of view rightly proposed in a more summarizing way than in previous decades.

Grand finale with a comic story to be completed with the shaped stickers but absolutely legible even with an empty album. We did it, with 12 pages available you cannot create too complex scripts, the story is enjoyable, not at the level of the previous one that appeared on the Marvel Versus album but in any case it is good that there is, also because it traces the concept ” super heroes with super problems ”which has allowed us, at times, to be able to identify with a hero in costume.

The format of the stickers mirrors the one already used previously in the Marvel encyclopedic albums, however it seems to us with images that are all different and chosen with a logical and effective care. We are not great lovers of adding cards to the sticker collections, but here they are an added value. 60 cards or the 60 most significant covers in the history of The Amazing Spider-Man.
Another detail that maybe not everyone notices but we do, Panini could fall into the error of inserting covers from other series (Web of Spider-Man, Spectacular Spider-Man, etc.) and instead does not. 60 cover cards don’t even allow you to really have all the fundamentals, but that’s a nice representative number. The problem is to find them all, also given Panini’s choice to send the box of just 24 packets to newsstands. We hope at least, when requesting missing stickers, the rule of only 5 cards that can be ordered will be lightened.

Yes, they succeeded (haven’t you come to read the last line right away?!?), The album is beautiful, a passionate and overwhelming 60-year story of the iconic character of American comics. We appreciated, unlike other previous Panini collections, that the world of cinema has been completely omitted, now subject to a separate one, with a life of its own and more and more often with a different audience.

It’s just a pity that once again the unlikely quality of the paper degrades the great work of graphics and logical preparation of the album a little. Panini is wrong and continues to be wrong on this point, especially on a product of this kind which, more than collectors of stickers, could attract fans of comics, where the quality of the paper is an undisputed value.


SATANIK – all the covers (Gazzetta dello Sport)


album: Satanik – All covers (La Gazzetta dello Sport)

stickers: 231 (1-231)

album and first 4 stickers: € 5.99 with Satanik in color nr.1

subsequent releases: € 6.99 per volume for 70 planned

It is predictable that after Kriminal also Satanik would have his own dedicated series and consequent sticker album. The two characters created by Max Bunker and Magnus are the history of Italian comics, interesting that after so many years there is still interest that leads to these editorial news.

The choice of color is questionable, which could make sense if the coloring was done by a team connected to the story of the character, who knows her. Here’s simple coloring that’s a punch in the stomach at work in black and white. Certainly everyone has their own tastes, but if a product is born in black and white, it must remain, unless there is the intervention of experts or enthusiasts.

The comment on the editorial choice is linked to the considerations of having a missed opportunity in front of you. As with Kriminal, if you are only interested in the sticker album, the total expense is demanding. Although more affordable than “the skull”, simply because the Satanik comic series has far fewer numbers.

The album is still interesting, the 1970s covers are small works of art, just think of those created by Luigi Corteggi, also seen at work, for example, with the covers of Bonelli’s Piccolo Ranger. The layout of the album is simple but effective, the stickers do their part.

Too bad only for the editorial choice, as a work we prefer the previous one in hardcover, more faithful to the original. Only for true fans or those who simply want to read the Satanik saga without looking for the original, rare and much more expensive books, without worrying too much about the quality of the print.


KRIMINAL – All Covers (Gazzetta dello Sport Italy)


album: Kriminal – All covers (La Gazzetta dello Sport)

stickers: 419 (1-419)

album and first 4 stickers: € 4.90 with Kriminal in color nr.1

subsequent releases: € 5.99 per volume for 114 planned

comment: if those interested in the album only complained to Tex or the recent Holly & Benji, here it is really unthinkable (at least crazy) to think of following the series only for the 419 stickers, in the end the final expense is almost 800 EUR! With a little luck and a lot of patience and sometimes settling for that amount, you can try to buy the original comic series.

At least all the numbers with the covers by Luigi Corteggi, in fact the Kriminal series in addition to splendid stories (alternating with forgettable others, especially as the series goes on) had the gift of the covers created by this great illustrator, authentic paintings that still remain of an incredible beauty.

There is no previous album of stickers on Kriminal, surely the solution to take all the covers is spot on, but you have to be fanatic. Fanatics of stickers above all, because if the interest is linked to the covers, there are already publications with all the covers of Kriminal.

For those unfamiliar with the character, I invite you instead to give us a serious thought, it remains a high quality comic, created by the award-winning company Magnus & Bunker, really in great shape; Alan Ford aside, they have rarely reached such high levels.

Even the choice of color is questionable, personally I do not understand the reason that pushes to make these products, certainly there is an audience that prefers color but in this case, as in many others, it is something mechanical “sprayed” on a work that is born in black and white and black and white maintains its charm.

De gustibus ..


The 100-Goals tournament (Panini/Disney Italy)


stickers: 100 (1-100)

starter pack: Topolino magazine + album + 40 stickers € 4.90

packets: 10 stickers each

comment: all the quality of Italian Disney! Our school is among the most appreciated in the world, since the post-war period (Romano Scarpa, Gian Battista Carpi, just to name two authors) has been able to give us stories that have become great classics, in turn they are also printed in the USA. In particular, we have become aces in creating parodies or adventures of goslings and mice taking inspiration from reality, cinema and literature.

We add that Disney Italy is part of Panini and it was almost a duty that the great imagination of the authors perfectly matched the great tradition of the stickers. I invite everyone to read the story and not just to attach the stickers, because they would lose a very good part of the value of this initiative. The basic idea is spot-on, to grab a sports center at the cutting edge of Paperopoli (Duckburg), a tournament is organized between six youth teams created for the occasion. All the big rich ducks organize one, funny the names and affinities of the owner’s social and intent colors, for example the Scrooge’s Klondike FC, with a dollar green kit!

Two outsiders will try to give a hard time, the team of the Beagle Boys (hilarious Grandpa Beagle who invites the young players not to trust the referee ..) and above all the ramshackle 313FC led by Donald Duck and Fetry Duck and which ranks in its 11 holder Huey, Dewey, Louie.

If we add that Scrooge’s team has as coach Gladstone Gander it seems the final victory is already decided, but who knows ..

The album is very nice and takes up the style of the classic Calciatori, each team has 16 stickers: badge, double squad, 11 players, president and coach. In the stickers of the players (mixed teams, good Disney!), Attention is also paid to the attention to detail with the club emblem, the shirt number and role.

The nightmare of all collectors of football stickers is to find the pages of the calendar subsequently compiled, here the risk is very high, in fact every episode of the story is connected to a round of the tournament with results to be written and ranking to be updated. A lot of curiosity in waiting for the second release, given that we will have real packets with 10 stickers each.

It is also appreciable that Panini limits the distribution of the necessary stickers in a few extra releases, bearing in mind that Topolino magazine should also be purchased to read the story connected to the album, we only find the stickers in two other issues. To complete the album and know how the tournament will end, you have to wait less than a month, the last packet with the last 10 stickers is scheduled for July 8 with Topolino number 3372.

I do not add anything else in order not to take away the pleasure of reading the story and discovering the album, given the previous experiences (for example the football-themed cards of a few years ago, which were immediately sold out), I recommend everyone to run to the newsstands in order to avoid to remain in the mouth, or rather the beak, dry.


ASTERIX 60 ANS (Panini France)


stickers: 124 (1-120, A-D)

packets: distributed in the Carrefour supermarkets ONLY in France

album: hardcover, sold only in French Carrefour supermarkets

comment: C’EST MAGNIFIQUE !!!

Important premise: the writer is biased, I love and read the Asterix comics as a child and I am proud of my complete collection. Precisely for this reason too, the album released only for the French market is a MUST to have.

Asterix is ​​the most important and widespread comic strip of the Franco-Belgian school, its name in France is comparable to that of Mickey Mouse in the USA, trying out an album dedicated to roosters is therefore a monumental operation and Panini France has hit the mark.

The album traces all the adventures of our heroes, as you will know many are the journeys of Asterix and Obelix (sometimes accompanied by Idefix and Panoramix), in this album we find them all, from the Celts to the Britons, from the Egyptians to the Courses, from the Swiss to the Goths, etc. with of course an important part dedicated to Roman “enemies”.

Attaching the 124 stickers, even if they seem few, is absolutely fun and also a commitment. Lots of shapes that must be affixed perfectly over the images, the cut is of excellent quality, I have not found errors in this sense. In the classic rectangular figurines we also find special silver and satin (amazing).

Not only that, the album is full of information, games, quizzes and “dulcis in fundo” two comic strips, whose first one, from memory, seems to me unpublished (it represents Obelix and Asterix as young people inside the village) but I could also be wrong.

The album is NOT distributed outside France and being a Panini / Carrefour product, like all previous cases, it is unlikely to be available online on the Panini website subsequently.

Can it be an album, not intended for newsstands and distributed only in France, the album of the year? Yes!

Final judgment: 10/10 with honors